Rejunte investigates the relationship between memory and the spaces we inhabit, understanding architecture not as a passive backdrop, but as an active part of experience. In the series, this relationship becomes literal: elements and materials drawn from Brazilian architecture become frames for paintings that give form to fragments of experience and memory.

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The title comes from the material itself: just as grout fills the spaces between separate pieces and binds them together, memory connects and reorganizes fragments of images, places, sensations, and time. Drawing from Brazilian architecture and its different ways of building and inhabiting space, the research explores the marks we leave on the spaces around us and those they, in turn, leave on us.

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Carry Water; Chop Wood  (2026), shown above, is part of the ongoing Rejunte series